You and I look at the same bike chain and see different things.
One person might see a functional, mechanical device to move the rear wheel in the same direction as the pedals. Another might see an incredibly complex web of 104 moving parts that allow steel to repeatedly bend different directions in an ever-changing loop. And yet another person might simply see the oily part of the bike to avoid when wearing nice clothes.
Seo Young-Deok sees the human condition.
Just another brick in the wall!
For youth, one of the most persistent fears for youth has always losing sense of one’s self, becoming as Pink Floyd sang, “just another brick in the wall.” A meaningless cog in the big corporate machine. Another link in a chain.
Chains, struggles, and the anxieties of a younger generation.
In Young-Deok’s own words, “We are interlocked and running like parts of a giant machine. Just as components are, we hang in there day after day as a gray man living in the periphery. And we are not allowed to be a protagonist of even our own life.”
“The chains in my work means fetters. The fetters are all about our contemporaries’ complicated, forced relationships and cravings for materials. I want to show, through my works, the portraits of our time where personal thoughts and lives are ignored.”
And yet, somehow, in the end, there’s the feeling of deep communication–the ripped-straight-from-the-heart discussions about issues that matter to us all–like hopes, dreams, fears, and quality of life.
Ultimately, these intimate communications get us to a better understanding of who each other are and want to be as human beings. And that’s an incredible opportunity for meaningful connections between people and across generations. Thanks, bike chains!